Domingo was the special guest on yesterday's Colbert Report. Who knew Colbert knew so much about opera?
Canadians can view the clips at the following links:
| The Colbert Report | Mon - Thurs 11:30pm / 10:30c | |||
| Placido Domingo | ||||
| ||||
Domingo was the special guest on yesterday's Colbert Report. Who knew Colbert knew so much about opera?
Canadians can view the clips at the following links:
| The Colbert Report | Mon - Thurs 11:30pm / 10:30c | |||
| Placido Domingo | ||||
| ||||

Nicole Cabell, the un-diva opera star, returns to Palm Beach for “Romeo et Juliette”
By Lawrence A. Johnson
At a time when opera presenters are doing all they can to appear more populist and approachable, one reads countless examples of singers showing how down to earth they are by doing public appearances and meeting their fans — usually for brief CD signings — in an attempt to show they’re just folks like the rest of us.
And then there’s Nicole Cabell...
The full article, by Lawrence A. Johnson can be viewed at South Florida Classical Review

Interview courtesy of NPR
Meryl Streep: The Fresh Air Interview
Meryl Streep is known for completely enveloping herself in her characters, capturing their nuances, speech patterns and personalities. In her films, she's transformed herself into such disparate people as the chef Julia Child, the writer Susan Orlean and plutonium-plant worker Karen Silkwood, winning countless honors and awards along the way.
In her latest film, the biopic The Iron Lady, Streep once again fully inhabits a real-world figure — this time former British Prime Minister Margaret Thatcher. Her performance has already won her a Golden Globe and an Oscar nomination, and has earned rave reviews from critics, including Charles McGrath in The New York Times, who wrote that Streep "seems even more Thatcher-like than Mrs. Thatcher."
As with all of her roles, Streep conducted extensive research about Thatcher's life before filming began. She learned that Thatcher carried around notecards with quotations from Lincoln and Shakespeare, and that she took voice lessons to sound more confident in her speech patterns." I remember reading that Lawrence Olivier had something to do with arranging for her to have [voice lessons]," she tells Fresh Air's Terry Gross. "He said he wouldn't care to do it himself, but he steered her in the direction of a good vocal coach. And she did go, and it did help her and and was part of the Pygmalion process."

Photos from the Canadian Opera Company's production of Love From Afar, by Kaija Saariaho.


All photos by Michael Cooper and Chris Hutcheson - Copyright Canadian Opera Company
"The COC production is presented by Daniele Finzi Pasca, best known for his work with Cirque du Soleil’s Corteo and the creation of the closing ceremonies of the XX Olympic Winter Games in Torino in 2006. In Love from Afar, Finzi Pasca also serves as lighting designer, working with set designer Jean Rabasse and costume designer Kevin Pollard. He brings his signature style to a visually arresting new production that uses innovative Cirque-like techniques to extend the range of effects possible on stage. Acrobats gliding through the air, backgrounds of silk and coloured lights, and costumes with seemingly endless silken extensions seductively weave this 12th-century love affair with the 21st century."
View the full gallery after the jump
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