
John Adams, photo by Margaretta Mitchell courtesy of The Washington Post
Composer John Adams, speaking to Colin Eatock in a special interview for The Globe and Mail
“Coming back to it now,” says Adams, “I’m astonished by what I was able to do at the time, given my lack of experience in the world of opera. I hardly ever went to opera, and I’d never written a piece for solo voice. I had no experience in the theatre beyond acting with my mother in South Pacific as a kid, and conducting The Marriage of Figaro with my classmates in college. It was kind of a miracle that my first attempt turned out to have a lasting life.”
Adams is the most respected opera composer in the United States today, and not a year goes by without a company somewhere presenting one of his four operas: Nixon in China, The Death of Klinghoffer, Dr. Atomic or A Flowering Tree. Currently, Nixon in China is in production in two cities: It launched at New York’s Metropolitan Opera on Wednesday, and on Saturday the Canadian Opera Company opens it in Toronto.
Continue reading "John Adams' Nixon opera is still relevant" from The Globe and Mail


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