Critics and artists are often dependent on each other for their careers, and can blame failure on one another as well. The critic’s job is to analyze and discuss perceived problems while acknowledging success. Amici Chamber Ensemble has decided to make the critic an integral part of the process, rather than an observer at the conclusion, by asking some of Toronto’s most influential critics to personally suggest the repertoire that Amici will play. John Terauds (Toronto Star), John Van Driel (Classical 96.3 FM) and Colin Eatock (Globe and Mail) are the three critics who have contributed by helping to program Amici’s latest project.
What do you think? Is it a brilliant idea to let the judges of your work contibute to the final product, or is it crazy to let an outsider have imput on your work? I'd love to hear your responses in the comments section.